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Kenneth Thorpe Rowe : ウィキペディア英語版 | Kenneth Thorpe Rowe
Kenneth Thorpe Rowe (1900–1988) was a professor at the University of Michigan. Rowe taught Shakespeare and modern drama, but was best known as an influential teacher of playwriting. ==Approach to playwriting==
Rowe regarded playwriting not as a mystical experience, but as a craft that could be understood and analyzed; he had remarkable insight into how a writer could construct a play with an eye toward the most effective development of plot and emotion. Across the span of six decades at Michigan, he taught and inspired legions of notable students, including Josh Greenfeld, Lawrence Kasdan, Dennis McIntyre, Robert McKee, Arthur Miller, Davi Napoleon (aka Davida Skurnick), Betty Smith, and Milan Stitt. Professor Rowe began his playwriting seminar each semester by asking his students to read "The Poetics" by Aristotle. He then taught them how to identify the workings of classic structure. In Rowe's view, all successful plays built dramatically from an "attack" (the introduction of a conflict) through a crisis and finally to a resolution. He applied his methods even to modern plays that were not unified in time and place; it was Rowe's contention that even non-realistic plays had the classic underlying structure. Arthur Miller enrolled in Rowe's seminar in 1937. He later described learning from Rowe that the theater "was not a carousel one jumped onto but an instrument one had to learn to play."〔quoted in Martin Gottfried, ""Arthur Miller: His Life and Work."" Da Capo Press, 2003, p. 33.〕 His early plays ''Honors at Dawn'' and ''The Grass Still Grows'' were written under Rowe's tutelage, and his teacher's influence was evident in the careful structural revisions that Miller made as he revised them over time. ''Honors at Dawn'' was recognized with a Hopwood Award at Michigan (1937), while ''The Grass Still Grows'' won the attention of a theatrical agent.〔Gottfried, pp. 50-51; "Death of Salesman: Study Guide," Guthrie Theater, 2004, pp. 5-6; .http://www.district87.org/staff/rileym/juniorlit/deathsalesman/salesman.pdf, accessed April 1, 2011;〕 Thus for Miller, Rowe became "a combination of critical judge and confidant," bringing together a unique "interest in the dynamics of play construction" with "his friendship, which meant much to me.".〔Arthur Miller, ''Timebends: A Life.'' New York: Grove Press, 1987, pp. 226-227. For more detail on Rowe and on Miller's Michigan years in general, see Christopher Bigsby, ''Arthur Miller'' (Harvard University Press, 2009), pp.77-144.〕
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